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Mary Bennet is ready to wow the audience with her concerto, but it's not receiving the rousing reception she might have hoped for. This episode we welcome back Dr. Lidia Chang to discuss Mary's performances within the context of Regency era societal expectations for a young lady's musical education and accomplishments. Thank you so much to Lidia for joining us for this episode! You can find her online at https://www.lidiachang.com and follow her on Instagram @Lidiaac.
Jane Austen's early works, contained within three surviving notebooks, are funny, sharp, and brimming over with personality. This episode we are joined by Dr. Kathryn Sutherland, one of the editors of the Oxford World’s Classics edition of Austen’s Teenage Writings, to discuss the nature of these writings, the way they were consumed by her family audience, and their relationship to her later novels. Thank you so much to Kathryn for joining us for this episode! You can learn more about her and her work at www.english.ox.ac.uk/people/professor-kathryn-sutherland.
Anne Elliot has just received a very important letter, and we are all overcome. This episode we're joined by guest Margaret H. Willison of Not Sorry Productions as we unpack Captain Wentworth's letter to Anne, aka the letter to end all letters. If you have ever been half agony, half hope, this episode is for you.
Thank you so much to Margaret for joining us for this discussion! You can follow her on Instagram @MrsFridayNext and subscribe to her newsletter at twobossydames.substack.com. You can learn more about everything mentioned by Margaret at the following links:
Emma is trying to paint Harriet's portrait, but it's hard to concentrate with Mr. Elton mouth breathing over her shoulder. But still, Mr. Elton is obviously in love with Harriet. Right? Right?!?
This episode we welcome returning guest Georgie Castilla of Duniath Comics as we discuss Emma's attempt at combining the art of matchmaking with the art of portraiture. Thank you so much to Georgie for joining us for this discussion! You can find him online at www.duniathcomics.com and on Instagram @duniathcomics (https://www.instagram.com/duniathcomics/) and you can follow along as he adapts Emma at www.youtube.com/@duniathcomics. Ep78: The Thing About Catherine and Isabella's Horrid Novels with guest Dr. Hannah Doherty Hudson10/30/2023
Catherine and Isabella are forming a very specific book club, and we've been given a sneak peek at their reading list. This episode we are joined by Dr. Hannah Doherty Hudson as we delve into the terrifying pages of the Minerva Press and uncover the many chilling secrets hidden within the so-called "horrid novels." If you have ever wished for more dramatic storytelling in your book marketing, this episode is for you.
Thank you so much to Hannah for joining us for this episode! You can find her on Twitter, Bluesky, and Mastodon by searching for Hannah Doherty Hudson, and you can sign up for her Ask a Georgian Magazine Substack at https://hannahdohertyhudson.substack.com/
Poor Harriet is stuck at home with a bad sore throat, and Mr. Elton is very concerned. For Emma. This week we're joined again by Dr. Rena Jones to talk about illness and medical knowledge in Austen's time. If you have ever been in an extremely lopsided love triangle, this episode is for you.
Thank you so much to Rena for joining us for this episode! You can find her on Twitter @Epi_Rena. Pointers were considered an elite dog in Austen's time, so it makes sense that someone like Willoughby would own them (also, having cute dogs is possibly the only nice thing we can say about Willoughby). This episode we welcome back Dr. Stephanie Howard-Smith for more 18th-century dog talk. We cover everything from the care and feeding of pointers to trends in 18th-century game hunting. Sir John heartily approves. If you have ever been quite literally swept off your feet by a man with two pointers playing round him, this episode is for you. Thank you so much to Stephanie for joining us for this episode! You can find her on Twitter @SAHowardSmith.
Jane Fairfax has received a mystery piano, along with some new music, and Frank Churchill is here to tell Emma all about it. In this episode, we break down the reference to Cramer in Emma. We also chat with Dr. Karali Hunter who stops by to trace the development of the étude from Cramer to Chopin, as well as talk to us about the process of recording our new intro and outro music.
Thank you so much to Karali for joining us for this episode and for recording our new music, Cramer's étude, No. 21! You can learn more about her and her work at www.karalihunter.com, www.hammerandstrings.com, and www.salonnieres.org.
Needlework in Jane Austen's novels is commonly referred to as simply "work." But what exactly does this work entail, and why is it important to characters like Elizabeth Bennet? Guest Dr. Jennie Batchelor is here to answer these questions and more. We discuss the difference between plain and fancy needlework, the significance of needlework in the pantheon of ladylike accomplishments, and the ways in which needlework functioned as a Regency woman's CV.
Thank you so much to Jennie for joining us for this episode! You can learn more about her and her work at www.jenniebatchelor.net. Jennie's digital catalogue of embroidery patterns from the Lady's Magazine can be found at ladysmagazine.omeka.net. You can find Jennie on Twitter @JennieBatchelor and on Instagram @BatchelorJennie.
This episode we're joined by Meredith Ammons to break down the first proposal of one Mr. Fitzwilliam Darcy. We also get into the letter that follows and discuss the ways that this critical interaction between Darcy and Elizabeth sets up the second half of Pride and Prejudice. If you have ever wished for a do-over, this episode is for you.
Thank you so much to Meredith for joining us for this episode! You can learn more about Meredith and her work at www.meredithammons.com. You can learn more about the Jane Austen Summer Program at www.janeaustensummer.org. |
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