Grab your dancing slippers and your shoe-roses because the Netherfield Ball is right around the corner, and the Bennet sisters are ready to party. This episode we take a look at the fancy footwear frills of the 17th and 18th centuries and the ways in which those trends transitioned into the Regency era.
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If Catherine is now riding with Henry after stopping at Petty-France for two hours and there are X number of capes on Henry's great coat and Y number of inches separating Catherine from Henry in the curricle (and WOW does Henry's hat sit so well), exactly how blissfully happy is Catherine in this moment?
The answer is innumerable, friends. Selected Sources
This episode we're closing out the year with a visit to the homey confines of Uppercross Hall. There's a large group of children assembled, and festive merriment is afoot. Break out your favorite scissors and your glue of choice — it's time to get crafty with gold paper.
We'll be back with a new episode in 2024! Selected Sources
From Ketzer's article: Nine pamphlets with gold paper covers (The British Library, RB 23.a.4296, RB 23.a.4292, RB 23.b.455)
Miss Steele has questions about Marianne's washing, and we are here to answer them. This episode we air some dirty laundry and get into the sudsy specifics of how Jane Austen and her contemporaries went about obtaining clean clothes in an era before washers and dryers.
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Needlework in Jane Austen's novels is commonly referred to as simply "work." But what exactly does this work entail, and why is it important to characters like Elizabeth Bennet? Guest Dr. Jennie Batchelor is here to answer these questions and more. We discuss the difference between plain and fancy needlework, the significance of needlework in the pantheon of ladylike accomplishments, and the ways in which needlework functioned as a Regency woman's CV.
Thank you so much to Jennie for joining us for this episode! You can learn more about her and her work at www.jenniebatchelor.net. Jennie's digital catalogue of embroidery patterns from the Lady's Magazine can be found at ladysmagazine.omeka.net. You can find Jennie on Twitter @JennieBatchelor and on Instagram @BatchelorJennie.
Henry Tilney is discussing muslin with Mrs. Allen and Catherine Morland, and the ladies are impressed. This episode we're joined by fashion historian Dr. Hilary Davidson for an examination of muslin as both a textile and a fashion statement in Austen's time. There's also some busting of popular Regency fashion myths. If you have ever lost sleep worrying over your sartorial choices, this episode is for you.
Thank you so much to Hilary for joining us for this episode! You can learn more about Hilary and her work at http://www.hilarydavidson.net and follow her on Twitter and Instagram @FourRedShoes.
John and Fanny Dashwood are sadly waving goodbye to some valuable household objects, and we're here to explain why they really need to get over themselves. This episode we're looking at the linens in Sense and Sensibility, and the role of such objects in Austen's time.
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Is Brandon into grunge? Going through a lumberjack phase? Embracing Santa chic? We're here to uncover just exactly what Colonel Brandon has on under his coat. If you have ever advocated for dressing in layers, this episode is for you.
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While the word "spinster" never comes up in Austen's novels, the role of spinster or "old maid" is a frequent occurrence. This episode we're having a bit of etymological fun with the word spinster, in addition to digging into just why a woman might choose marrying Collins over remaining blissfully single. If you have ever been the lone singleton at the annual turkey curry buffet, this episode is for you. (Spinster does come up in the hilarious authorial demand prefacing Lesley Castle, but that's a story best saved for another episode.) Trigger warning for this episode: Brief mention of sexual assault around 13:50.
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