EP32: The Thing About Jane's Irish Melodies

Jane Fairfax has recently received a selection of music, and we're here to unpack the significance of that "new set of Irish melodies." Spoiler alert: Frank Churchill has some explaining to do. If you have ever received a mystery gift, this episode is for you.

Thank you to Salonnières for letting us share part of their gorgeous arrangement of "The Last Rose of Summer" as our outro music this week. You can learn more about Salonnières on their website, www.salonnieres.org and find their albums on iTunes.

Selected Sources:

• Hunt, Una. “The Harper’s Legacy: National Airs and Pianoforte Music.” Journal of the Society for Musicology in Ireland 6 (2010): 3–53. https://doi.org/10.21427/D7MB3C.
• Libin, Katheryn L. Shanks. “Music, Character, and Social Standing in Jane Austen’s Emma.” Persuasions 22 (2000): 15–30.
• McCleave, Sarah. “The Genesis of Thomas Moore’s Irish Melodies, 1808–1834.” In Cheap Print and Popular Song in the Nineteenth Century, edited by Paul Watt, Derek Scott, and Patrick Spedding, 47–70. Cambridge: Cambridge University Press, 2017. https://doi.org/10.1017/9781316672037.004.
• Montagne, Renee, and Miles Hoffman. “The ‘Irish Melodies’ Of Poet Thomas Moore.” Morning Edition. NPR, March 17, 2015. https://www.npr.org/2015/03/17/393530786/the-irish-melodies-of-poet-thomas-moore.
• Moore, Thomas, and John Allen Stevenson. A Selection of Irish Melodies. Vol. 1. London and Dublin: James and William Power, 1808.
• Piggott, Patrick. The Innocent Diversion: Music in the Life and Writings of Jane Austen. London: Cleverdon, 1979.